Cappella Clausura is pleased to share virtually its special performance of Hildegard von Bingen’s Ordo Virtutum from 2/15/20. Immerse yourself in chanted opera: what Director LeClair calls the very first opera, written around 1150 by Abbess and now St. Hildegard von Bingen, fully staged for modern audiences with 18 women and men lending gender fluidity…
Newton Baroque presents its January 12, 2019, performance of Johann Jakob Walther 'Hortulus Chelicus' Sonata 24, Prelude via Facebook. This program features Susanna Ogata, violin; Sarah Freiberg Ellison, cello; Simon Martyn-Ellis, theorbo; and Andrus Madsen, harpsichord. Listen to this delightful performance now here. More about Newton Baroque at newtonbaroque.org.
Enjoy Cappella Clausura's beautiful performances of Fanny Mendelssohn Hensel’s cantatas. Fanny wrote her extraordinary and timely “Cholera” cantata in 1831 to commemorate that year's epidemic in Berlin, so Cappella Clausura is particularly pleased to be able to share it with you now. More info about Cappella Clausura at clausura.org. View this performance here.
Pianists Alice Chenyang Xu and Miles Fellenberg present a duet program, including Samuel Barber's delightful "Souvenirs" suite and Schubert's beloved Fantasia in F minor. Scandinavian Cultural Center is delighted to introduce to you this wonderful piano duo who, are both currently completing their doctorates in music at New England Conservatory. Part of Music Mondays at…
Cappella Clausura is pleased to share virtually its special performance of Hildegard von Bingen’s Ordo Virtutum from 2/15/20. Immerse yourself in chanted opera: what Director LeClair calls the very first opera, written around 1150 by Abbess and now St. Hildegard von Bingen, fully staged for modern audiences with 18 women and men lending gender fluidity…
Newton Baroque presents its January 12, 2019, performance of Johann Jakob Walther 'Hortulus Chelicus' Sonata 24, Prelude via Facebook. This program features Susanna Ogata, violin; Sarah Freiberg Ellison, cello; Simon Martyn-Ellis, theorbo; and Andrus Madsen, harpsichord. Listen to this delightful performance now here. More about Newton Baroque at newtonbaroque.org.
Enjoy Cappella Clausura's beautiful performances of Fanny Mendelssohn Hensel’s cantatas. Fanny wrote her extraordinary and timely “Cholera” cantata in 1831 to commemorate that year's epidemic in Berlin, so Cappella Clausura is particularly pleased to be able to share it with you now. More info about Cappella Clausura at clausura.org. View this performance here.
Cappella Clausura is pleased to share virtually its special performance of Hildegard von Bingen’s Ordo Virtutum from 2/15/20. Immerse yourself in chanted opera: what Director LeClair calls the very first opera, written around 1150 by Abbess and now St. Hildegard von Bingen, fully staged for modern audiences with 18 women and men lending gender fluidity…
Newton Baroque presents its January 12, 2019, performance of Johann Jakob Walther 'Hortulus Chelicus' Sonata 24, Prelude via Facebook. This program features Susanna Ogata, violin; Sarah Freiberg Ellison, cello; Simon Martyn-Ellis, theorbo; and Andrus Madsen, harpsichord. Listen to this delightful performance now here. More about Newton Baroque at newtonbaroque.org.
Enjoy Cappella Clausura's beautiful performances of Fanny Mendelssohn Hensel’s cantatas. Fanny wrote her extraordinary and timely “Cholera” cantata in 1831 to commemorate that year's epidemic in Berlin, so Cappella Clausura is particularly pleased to be able to share it with you now. More info about Cappella Clausura at clausura.org. View this performance here.
Cappella Clausura is pleased to share virtually its special performance of Hildegard von Bingen’s Ordo Virtutum from 2/15/20. Immerse yourself in chanted opera: what Director LeClair calls the very first opera, written around 1150 by Abbess and now St. Hildegard von Bingen, fully staged for modern audiences with 18 women and men lending gender fluidity…
Newton Baroque presents its January 12, 2019, performance of Johann Jakob Walther 'Hortulus Chelicus' Sonata 24, Prelude via Facebook. This program features Susanna Ogata, violin; Sarah Freiberg Ellison, cello; Simon Martyn-Ellis, theorbo; and Andrus Madsen, harpsichord. Listen to this delightful performance now here. More about Newton Baroque at newtonbaroque.org.
Enjoy Cappella Clausura's beautiful performances of Fanny Mendelssohn Hensel’s cantatas. Fanny wrote her extraordinary and timely “Cholera” cantata in 1831 to commemorate that year's epidemic in Berlin, so Cappella Clausura is particularly pleased to be able to share it with you now. More info about Cappella Clausura at clausura.org. View this performance here.
Cappella Clausura is pleased to share virtually its special performance of Hildegard von Bingen’s Ordo Virtutum from 2/15/20. Immerse yourself in chanted opera: what Director LeClair calls the very first opera, written around 1150 by Abbess and now St. Hildegard von Bingen, fully staged for modern audiences with 18 women and men lending gender fluidity…
Newton Baroque presents its January 12, 2019, performance of Johann Jakob Walther 'Hortulus Chelicus' Sonata 24, Prelude via Facebook. This program features Susanna Ogata, violin; Sarah Freiberg Ellison, cello; Simon Martyn-Ellis, theorbo; and Andrus Madsen, harpsichord. Listen to this delightful performance now here. More about Newton Baroque at newtonbaroque.org.
Enjoy Cappella Clausura's beautiful performances of Fanny Mendelssohn Hensel’s cantatas. Fanny wrote her extraordinary and timely “Cholera” cantata in 1831 to commemorate that year's epidemic in Berlin, so Cappella Clausura is particularly pleased to be able to share it with you now. More info about Cappella Clausura at clausura.org. View this performance here.
Cappella Clausura is pleased to share virtually its special performance of Hildegard von Bingen’s Ordo Virtutum from 2/15/20. Immerse yourself in chanted opera: what Director LeClair calls the very first opera, written around 1150 by Abbess and now St. Hildegard von Bingen, fully staged for modern audiences with 18 women and men lending gender fluidity…
Newton Baroque presents its January 12, 2019, performance of Johann Jakob Walther 'Hortulus Chelicus' Sonata 24, Prelude via Facebook. This program features Susanna Ogata, violin; Sarah Freiberg Ellison, cello; Simon Martyn-Ellis, theorbo; and Andrus Madsen, harpsichord. Listen to this delightful performance now here. More about Newton Baroque at newtonbaroque.org.
Enjoy Cappella Clausura's beautiful performances of Fanny Mendelssohn Hensel’s cantatas. Fanny wrote her extraordinary and timely “Cholera” cantata in 1831 to commemorate that year's epidemic in Berlin, so Cappella Clausura is particularly pleased to be able to share it with you now. More info about Cappella Clausura at clausura.org. View this performance here.
Immerse yourself in moving constellations of singers, featuring music by virtually every baroque nun we have championed from the Northern Italian baroque, such as Chiara Cozzolani, Raffaella Aleotti, Bianca Maria Media, Sulpitia Cesis, plus new music by Patricia Van Ness and Suzanne Sheppard. With Dan Stepner and Julie Levin, violins; Laura Jeppesen, gamba; and Catherine…
Cappella Clausura is pleased to share virtually its special performance of Hildegard von Bingen’s Ordo Virtutum from 2/15/20. Immerse yourself in chanted opera: what Director LeClair calls the very first opera, written around 1150 by Abbess and now St. Hildegard von Bingen, fully staged for modern audiences with 18 women and men lending gender fluidity…
Newton Baroque presents its January 12, 2019, performance of Johann Jakob Walther 'Hortulus Chelicus' Sonata 24, Prelude via Facebook. This program features Susanna Ogata, violin; Sarah Freiberg Ellison, cello; Simon Martyn-Ellis, theorbo; and Andrus Madsen, harpsichord. Listen to this delightful performance now here. More about Newton Baroque at newtonbaroque.org.
Enjoy Cappella Clausura's beautiful performances of Fanny Mendelssohn Hensel’s cantatas. Fanny wrote her extraordinary and timely “Cholera” cantata in 1831 to commemorate that year's epidemic in Berlin, so Cappella Clausura is particularly pleased to be able to share it with you now. More info about Cappella Clausura at clausura.org. View this performance here.
Immerse yourself in moving constellations of singers, featuring music by virtually every baroque nun we have championed from the Northern Italian baroque, such as Chiara Cozzolani, Raffaella Aleotti, Bianca Maria Media, Sulpitia Cesis, plus new music by Patricia Van Ness and Suzanne Sheppard. With Dan Stepner and Julie Levin, violins; Laura Jeppesen, gamba; and Catherine…
Cappella Clausura is pleased to share virtually its special performance of Hildegard von Bingen’s Ordo Virtutum from 2/15/20. Immerse yourself in chanted opera: what Director LeClair calls the very first opera, written around 1150 by Abbess and now St. Hildegard von Bingen, fully staged for modern audiences with 18 women and men lending gender fluidity…
Newton Baroque presents its January 12, 2019, performance of Johann Jakob Walther 'Hortulus Chelicus' Sonata 24, Prelude via Facebook. This program features Susanna Ogata, violin; Sarah Freiberg Ellison, cello; Simon Martyn-Ellis, theorbo; and Andrus Madsen, harpsichord. Listen to this delightful performance now here. More about Newton Baroque at newtonbaroque.org.
Enjoy Cappella Clausura's beautiful performances of Fanny Mendelssohn Hensel’s cantatas. Fanny wrote her extraordinary and timely “Cholera” cantata in 1831 to commemorate that year's epidemic in Berlin, so Cappella Clausura is particularly pleased to be able to share it with you now. More info about Cappella Clausura at clausura.org. View this performance here.
Cappella Clausura is pleased to share virtually its special performance of Hildegard von Bingen’s Ordo Virtutum from 2/15/20. Immerse yourself in chanted opera: what Director LeClair calls the very first opera, written around 1150 by Abbess and now St. Hildegard von Bingen, fully staged for modern audiences with 18 women and men lending gender fluidity…
Newton Baroque presents its January 12, 2019, performance of Johann Jakob Walther 'Hortulus Chelicus' Sonata 24, Prelude via Facebook. This program features Susanna Ogata, violin; Sarah Freiberg Ellison, cello; Simon Martyn-Ellis, theorbo; and Andrus Madsen, harpsichord. Listen to this delightful performance now here. More about Newton Baroque at newtonbaroque.org.
Enjoy Cappella Clausura's beautiful performances of Fanny Mendelssohn Hensel’s cantatas. Fanny wrote her extraordinary and timely “Cholera” cantata in 1831 to commemorate that year's epidemic in Berlin, so Cappella Clausura is particularly pleased to be able to share it with you now. More info about Cappella Clausura at clausura.org. View this performance here.
Cappella Clausura is pleased to share virtually its special performance of Hildegard von Bingen’s Ordo Virtutum from 2/15/20. Immerse yourself in chanted opera: what Director LeClair calls the very first opera, written around 1150 by Abbess and now St. Hildegard von Bingen, fully staged for modern audiences with 18 women and men lending gender fluidity…
Newton Baroque presents its January 12, 2019, performance of Johann Jakob Walther 'Hortulus Chelicus' Sonata 24, Prelude via Facebook. This program features Susanna Ogata, violin; Sarah Freiberg Ellison, cello; Simon Martyn-Ellis, theorbo; and Andrus Madsen, harpsichord. Listen to this delightful performance now here. More about Newton Baroque at newtonbaroque.org.
Enjoy Cappella Clausura's beautiful performances of Fanny Mendelssohn Hensel’s cantatas. Fanny wrote her extraordinary and timely “Cholera” cantata in 1831 to commemorate that year's epidemic in Berlin, so Cappella Clausura is particularly pleased to be able to share it with you now. More info about Cappella Clausura at clausura.org. View this performance here.
Cappella Clausura is pleased to share virtually its special performance of Hildegard von Bingen’s Ordo Virtutum from 2/15/20. Immerse yourself in chanted opera: what Director LeClair calls the very first opera, written around 1150 by Abbess and now St. Hildegard von Bingen, fully staged for modern audiences with 18 women and men lending gender fluidity…
Newton Baroque presents its January 12, 2019, performance of Johann Jakob Walther 'Hortulus Chelicus' Sonata 24, Prelude via Facebook. This program features Susanna Ogata, violin; Sarah Freiberg Ellison, cello; Simon Martyn-Ellis, theorbo; and Andrus Madsen, harpsichord. Listen to this delightful performance now here. More about Newton Baroque at newtonbaroque.org.
Enjoy Cappella Clausura's beautiful performances of Fanny Mendelssohn Hensel’s cantatas. Fanny wrote her extraordinary and timely “Cholera” cantata in 1831 to commemorate that year's epidemic in Berlin, so Cappella Clausura is particularly pleased to be able to share it with you now. More info about Cappella Clausura at clausura.org. View this performance here.
Cappella Clausura is pleased to share virtually its special performance of Hildegard von Bingen’s Ordo Virtutum from 2/15/20. Immerse yourself in chanted opera: what Director LeClair calls the very first opera, written around 1150 by Abbess and now St. Hildegard von Bingen, fully staged for modern audiences with 18 women and men lending gender fluidity…
Newton Baroque presents its January 12, 2019, performance of Johann Jakob Walther 'Hortulus Chelicus' Sonata 24, Prelude via Facebook. This program features Susanna Ogata, violin; Sarah Freiberg Ellison, cello; Simon Martyn-Ellis, theorbo; and Andrus Madsen, harpsichord. Listen to this delightful performance now here. More about Newton Baroque at newtonbaroque.org.
Enjoy Cappella Clausura's beautiful performances of Fanny Mendelssohn Hensel’s cantatas. Fanny wrote her extraordinary and timely “Cholera” cantata in 1831 to commemorate that year's epidemic in Berlin, so Cappella Clausura is particularly pleased to be able to share it with you now. More info about Cappella Clausura at clausura.org. View this performance here.
Cappella Clausura is pleased to share virtually its special performance of Hildegard von Bingen’s Ordo Virtutum from 2/15/20. Immerse yourself in chanted opera: what Director LeClair calls the very first opera, written around 1150 by Abbess and now St. Hildegard von Bingen, fully staged for modern audiences with 18 women and men lending gender fluidity…
Newton Baroque presents its January 12, 2019, performance of Johann Jakob Walther 'Hortulus Chelicus' Sonata 24, Prelude via Facebook. This program features Susanna Ogata, violin; Sarah Freiberg Ellison, cello; Simon Martyn-Ellis, theorbo; and Andrus Madsen, harpsichord. Listen to this delightful performance now here. More about Newton Baroque at newtonbaroque.org.
Enjoy Cappella Clausura's beautiful performances of Fanny Mendelssohn Hensel’s cantatas. Fanny wrote her extraordinary and timely “Cholera” cantata in 1831 to commemorate that year's epidemic in Berlin, so Cappella Clausura is particularly pleased to be able to share it with you now. More info about Cappella Clausura at clausura.org. View this performance here.
Cappella Clausura is pleased to share virtually its special performance of Hildegard von Bingen’s Ordo Virtutum from 2/15/20. Immerse yourself in chanted opera: what Director LeClair calls the very first opera, written around 1150 by Abbess and now St. Hildegard von Bingen, fully staged for modern audiences with 18 women and men lending gender fluidity…
Newton Baroque presents its January 12, 2019, performance of Johann Jakob Walther 'Hortulus Chelicus' Sonata 24, Prelude via Facebook. This program features Susanna Ogata, violin; Sarah Freiberg Ellison, cello; Simon Martyn-Ellis, theorbo; and Andrus Madsen, harpsichord. Listen to this delightful performance now here. More about Newton Baroque at newtonbaroque.org.
Enjoy Cappella Clausura's beautiful performances of Fanny Mendelssohn Hensel’s cantatas. Fanny wrote her extraordinary and timely “Cholera” cantata in 1831 to commemorate that year's epidemic in Berlin, so Cappella Clausura is particularly pleased to be able to share it with you now. More info about Cappella Clausura at clausura.org. View this performance here.
Cappella Clausura is pleased to share virtually its special performance of Hildegard von Bingen’s Ordo Virtutum from 2/15/20. Immerse yourself in chanted opera: what Director LeClair calls the very first opera, written around 1150 by Abbess and now St. Hildegard von Bingen, fully staged for modern audiences with 18 women and men lending gender fluidity…
Newton Baroque presents its January 12, 2019, performance of Johann Jakob Walther 'Hortulus Chelicus' Sonata 24, Prelude via Facebook. This program features Susanna Ogata, violin; Sarah Freiberg Ellison, cello; Simon Martyn-Ellis, theorbo; and Andrus Madsen, harpsichord. Listen to this delightful performance now here. More about Newton Baroque at newtonbaroque.org.
Enjoy Cappella Clausura's beautiful performances of Fanny Mendelssohn Hensel’s cantatas. Fanny wrote her extraordinary and timely “Cholera” cantata in 1831 to commemorate that year's epidemic in Berlin, so Cappella Clausura is particularly pleased to be able to share it with you now. More info about Cappella Clausura at clausura.org. View this performance here.
Cappella Clausura is pleased to share virtually its special performance of Hildegard von Bingen’s Ordo Virtutum from 2/15/20. Immerse yourself in chanted opera: what Director LeClair calls the very first opera, written around 1150 by Abbess and now St. Hildegard von Bingen, fully staged for modern audiences with 18 women and men lending gender fluidity…
Enjoy Cappella Clausura's beautiful performances of Fanny Mendelssohn Hensel’s cantatas. Fanny wrote her extraordinary and timely “Cholera” cantata in 1831 to commemorate that year's epidemic in Berlin, so Cappella Clausura is particularly pleased to be able to share it with you now. More info about Cappella Clausura at clausura.org. View this performance here.
Newton Baroque presents its January 12, 2019, performance of Johann Jakob Walther 'Hortulus Chelicus' Sonata 24, Prelude via Facebook. This program features Susanna Ogata, violin; Sarah Freiberg Ellison, cello; Simon Martyn-Ellis, theorbo; and Andrus Madsen, harpsichord. Listen to this delightful performance now here. More about Newton Baroque at newtonbaroque.org.
Cappella Clausura is pleased to share virtually its special performance of Hildegard von Bingen’s Ordo Virtutum from 2/15/20. Immerse yourself in chanted opera: what Director LeClair calls the very first opera, written around 1150 by Abbess and now St. Hildegard von Bingen, fully staged for modern audiences with 18 women and men lending gender fluidity…
Newton Baroque presents its January 12, 2019, performance of Johann Jakob Walther 'Hortulus Chelicus' Sonata 24, Prelude via Facebook. This program features Susanna Ogata, violin; Sarah Freiberg Ellison, cello; Simon Martyn-Ellis, theorbo; and Andrus Madsen, harpsichord. Listen to this delightful performance now here. More about Newton Baroque at newtonbaroque.org.
Enjoy Cappella Clausura's beautiful performances of Fanny Mendelssohn Hensel’s cantatas. Fanny wrote her extraordinary and timely “Cholera” cantata in 1831 to commemorate that year's epidemic in Berlin, so Cappella Clausura is particularly pleased to be able to share it with you now. More info about Cappella Clausura at clausura.org. View this performance here.
Cappella Clausura is pleased to share virtually its special performance of Hildegard von Bingen’s Ordo Virtutum from 2/15/20. Immerse yourself in chanted opera: what Director LeClair calls the very first opera, written around 1150 by Abbess and now St. Hildegard von Bingen, fully staged for modern audiences with 18 women and men lending gender fluidity…
Newton Baroque presents its January 12, 2019, performance of Johann Jakob Walther 'Hortulus Chelicus' Sonata 24, Prelude via Facebook. This program features Susanna Ogata, violin; Sarah Freiberg Ellison, cello; Simon Martyn-Ellis, theorbo; and Andrus Madsen, harpsichord. Listen to this delightful performance now here. More about Newton Baroque at newtonbaroque.org.
Enjoy Cappella Clausura's beautiful performances of Fanny Mendelssohn Hensel’s cantatas. Fanny wrote her extraordinary and timely “Cholera” cantata in 1831 to commemorate that year's epidemic in Berlin, so Cappella Clausura is particularly pleased to be able to share it with you now. More info about Cappella Clausura at clausura.org. View this performance here.
Cappella Clausura is pleased to share virtually its special performance of Hildegard von Bingen’s Ordo Virtutum from 2/15/20. Immerse yourself in chanted opera: what Director LeClair calls the very first opera, written around 1150 by Abbess and now St. Hildegard von Bingen, fully staged for modern audiences with 18 women and men lending gender fluidity…
Newton Baroque presents its January 12, 2019, performance of Johann Jakob Walther 'Hortulus Chelicus' Sonata 24, Prelude via Facebook. This program features Susanna Ogata, violin; Sarah Freiberg Ellison, cello; Simon Martyn-Ellis, theorbo; and Andrus Madsen, harpsichord. Listen to this delightful performance now here. More about Newton Baroque at newtonbaroque.org.
Enjoy Cappella Clausura's beautiful performances of Fanny Mendelssohn Hensel’s cantatas. Fanny wrote her extraordinary and timely “Cholera” cantata in 1831 to commemorate that year's epidemic in Berlin, so Cappella Clausura is particularly pleased to be able to share it with you now. More info about Cappella Clausura at clausura.org. View this performance here.
Cappella Clausura is pleased to share virtually its special performance of Hildegard von Bingen’s Ordo Virtutum from 2/15/20. Immerse yourself in chanted opera: what Director LeClair calls the very first opera, written around 1150 by Abbess and now St. Hildegard von Bingen, fully staged for modern audiences with 18 women and men lending gender fluidity…
Newton Baroque presents its January 12, 2019, performance of Johann Jakob Walther 'Hortulus Chelicus' Sonata 24, Prelude via Facebook. This program features Susanna Ogata, violin; Sarah Freiberg Ellison, cello; Simon Martyn-Ellis, theorbo; and Andrus Madsen, harpsichord. Listen to this delightful performance now here. More about Newton Baroque at newtonbaroque.org.
Enjoy Cappella Clausura's beautiful performances of Fanny Mendelssohn Hensel’s cantatas. Fanny wrote her extraordinary and timely “Cholera” cantata in 1831 to commemorate that year's epidemic in Berlin, so Cappella Clausura is particularly pleased to be able to share it with you now. More info about Cappella Clausura at clausura.org. View this performance here.
Cappella Clausura is pleased to share virtually its special performance of Hildegard von Bingen’s Ordo Virtutum from 2/15/20. Immerse yourself in chanted opera: what Director LeClair calls the very first opera, written around 1150 by Abbess and now St. Hildegard von Bingen, fully staged for modern audiences with 18 women and men lending gender fluidity…
Newton Baroque presents its January 12, 2019, performance of Johann Jakob Walther 'Hortulus Chelicus' Sonata 24, Prelude via Facebook. This program features Susanna Ogata, violin; Sarah Freiberg Ellison, cello; Simon Martyn-Ellis, theorbo; and Andrus Madsen, harpsichord. Listen to this delightful performance now here. More about Newton Baroque at newtonbaroque.org.
Enjoy Cappella Clausura's beautiful performances of Fanny Mendelssohn Hensel’s cantatas. Fanny wrote her extraordinary and timely “Cholera” cantata in 1831 to commemorate that year's epidemic in Berlin, so Cappella Clausura is particularly pleased to be able to share it with you now. More info about Cappella Clausura at clausura.org. View this performance here.
Cappella Clausura is pleased to share virtually its special performance of Hildegard von Bingen’s Ordo Virtutum from 2/15/20. Immerse yourself in chanted opera: what Director LeClair calls the very first opera, written around 1150 by Abbess and now St. Hildegard von Bingen, fully staged for modern audiences with 18 women and men lending gender fluidity…
Newton Baroque presents its January 12, 2019, performance of Johann Jakob Walther 'Hortulus Chelicus' Sonata 24, Prelude via Facebook. This program features Susanna Ogata, violin; Sarah Freiberg Ellison, cello; Simon Martyn-Ellis, theorbo; and Andrus Madsen, harpsichord. Listen to this delightful performance now here. More about Newton Baroque at newtonbaroque.org.
Enjoy Cappella Clausura's beautiful performances of Fanny Mendelssohn Hensel’s cantatas. Fanny wrote her extraordinary and timely “Cholera” cantata in 1831 to commemorate that year's epidemic in Berlin, so Cappella Clausura is particularly pleased to be able to share it with you now. More info about Cappella Clausura at clausura.org. View this performance here.
Cappella Clausura is pleased to share virtually its special performance of Hildegard von Bingen’s Ordo Virtutum from 2/15/20. Immerse yourself in chanted opera: what Director LeClair calls the very first opera, written around 1150 by Abbess and now St. Hildegard von Bingen, fully staged for modern audiences with 18 women and men lending gender fluidity…
Newton Baroque presents its January 12, 2019, performance of Johann Jakob Walther 'Hortulus Chelicus' Sonata 24, Prelude via Facebook. This program features Susanna Ogata, violin; Sarah Freiberg Ellison, cello; Simon Martyn-Ellis, theorbo; and Andrus Madsen, harpsichord. Listen to this delightful performance now here. More about Newton Baroque at newtonbaroque.org.
Enjoy Cappella Clausura's beautiful performances of Fanny Mendelssohn Hensel’s cantatas. Fanny wrote her extraordinary and timely “Cholera” cantata in 1831 to commemorate that year's epidemic in Berlin, so Cappella Clausura is particularly pleased to be able to share it with you now. More info about Cappella Clausura at clausura.org. View this performance here.
Cappella Clausura is pleased to share virtually its special performance of Hildegard von Bingen’s Ordo Virtutum from 2/15/20. Immerse yourself in chanted opera: what Director LeClair calls the very first opera, written around 1150 by Abbess and now St. Hildegard von Bingen, fully staged for modern audiences with 18 women and men lending gender fluidity…
Newton Baroque presents its January 12, 2019, performance of Johann Jakob Walther 'Hortulus Chelicus' Sonata 24, Prelude via Facebook. This program features Susanna Ogata, violin; Sarah Freiberg Ellison, cello; Simon Martyn-Ellis, theorbo; and Andrus Madsen, harpsichord. Listen to this delightful performance now here. More about Newton Baroque at newtonbaroque.org.
Enjoy Cappella Clausura's beautiful performances of Fanny Mendelssohn Hensel’s cantatas. Fanny wrote her extraordinary and timely “Cholera” cantata in 1831 to commemorate that year's epidemic in Berlin, so Cappella Clausura is particularly pleased to be able to share it with you now. More info about Cappella Clausura at clausura.org. View this performance here.
Cappella Clausura is pleased to share virtually its special performance of Hildegard von Bingen’s Ordo Virtutum from 2/15/20. Immerse yourself in chanted opera: what Director LeClair calls the very first opera, written around 1150 by Abbess and now St. Hildegard von Bingen, fully staged for modern audiences with 18 women and men lending gender fluidity…
Newton Baroque presents its January 12, 2019, performance of Johann Jakob Walther 'Hortulus Chelicus' Sonata 24, Prelude via Facebook. This program features Susanna Ogata, violin; Sarah Freiberg Ellison, cello; Simon Martyn-Ellis, theorbo; and Andrus Madsen, harpsichord. Listen to this delightful performance now here. More about Newton Baroque at newtonbaroque.org.
Enjoy Cappella Clausura's beautiful performances of Fanny Mendelssohn Hensel’s cantatas. Fanny wrote her extraordinary and timely “Cholera” cantata in 1831 to commemorate that year's epidemic in Berlin, so Cappella Clausura is particularly pleased to be able to share it with you now. More info about Cappella Clausura at clausura.org. View this performance here.
Cappella Clausura is pleased to share virtually its special performance of Hildegard von Bingen’s Ordo Virtutum from 2/15/20. Immerse yourself in chanted opera: what Director LeClair calls the very first opera, written around 1150 by Abbess and now St. Hildegard von Bingen, fully staged for modern audiences with 18 women and men lending gender fluidity…
Newton Baroque presents its January 12, 2019, performance of Johann Jakob Walther 'Hortulus Chelicus' Sonata 24, Prelude via Facebook. This program features Susanna Ogata, violin; Sarah Freiberg Ellison, cello; Simon Martyn-Ellis, theorbo; and Andrus Madsen, harpsichord. Listen to this delightful performance now here. More about Newton Baroque at newtonbaroque.org.
Enjoy Cappella Clausura's beautiful performances of Fanny Mendelssohn Hensel’s cantatas. Fanny wrote her extraordinary and timely “Cholera” cantata in 1831 to commemorate that year's epidemic in Berlin, so Cappella Clausura is particularly pleased to be able to share it with you now. More info about Cappella Clausura at clausura.org. View this performance here.
Cappella Clausura is pleased to share virtually its special performance of Hildegard von Bingen’s Ordo Virtutum from 2/15/20. Immerse yourself in chanted opera: what Director LeClair calls the very first opera, written around 1150 by Abbess and now St. Hildegard von Bingen, fully staged for modern audiences with 18 women and men lending gender fluidity…
Newton Baroque presents its January 12, 2019, performance of Johann Jakob Walther 'Hortulus Chelicus' Sonata 24, Prelude via Facebook. This program features Susanna Ogata, violin; Sarah Freiberg Ellison, cello; Simon Martyn-Ellis, theorbo; and Andrus Madsen, harpsichord. Listen to this delightful performance now here. More about Newton Baroque at newtonbaroque.org.
Enjoy Cappella Clausura's beautiful performances of Fanny Mendelssohn Hensel’s cantatas. Fanny wrote her extraordinary and timely “Cholera” cantata in 1831 to commemorate that year's epidemic in Berlin, so Cappella Clausura is particularly pleased to be able to share it with you now. More info about Cappella Clausura at clausura.org. View this performance here.
Cappella Clausura is pleased to share virtually its special performance of Hildegard von Bingen’s Ordo Virtutum from 2/15/20. Immerse yourself in chanted opera: what Director LeClair calls the very first opera, written around 1150 by Abbess and now St. Hildegard von Bingen, fully staged for modern audiences with 18 women and men lending gender fluidity…
Newton Baroque presents its January 12, 2019, performance of Johann Jakob Walther 'Hortulus Chelicus' Sonata 24, Prelude via Facebook. This program features Susanna Ogata, violin; Sarah Freiberg Ellison, cello; Simon Martyn-Ellis, theorbo; and Andrus Madsen, harpsichord. Listen to this delightful performance now here. More about Newton Baroque at newtonbaroque.org.
Enjoy Cappella Clausura's beautiful performances of Fanny Mendelssohn Hensel’s cantatas. Fanny wrote her extraordinary and timely “Cholera” cantata in 1831 to commemorate that year's epidemic in Berlin, so Cappella Clausura is particularly pleased to be able to share it with you now. More info about Cappella Clausura at clausura.org. View this performance here.
Cappella Clausura is pleased to share virtually its special performance of Hildegard von Bingen’s Ordo Virtutum from 2/15/20. Immerse yourself in chanted opera: what Director LeClair calls the very first opera, written around 1150 by Abbess and now St. Hildegard von Bingen, fully staged for modern audiences with 18 women and men lending gender fluidity…
Newton Baroque presents its January 12, 2019, performance of Johann Jakob Walther 'Hortulus Chelicus' Sonata 24, Prelude via Facebook. This program features Susanna Ogata, violin; Sarah Freiberg Ellison, cello; Simon Martyn-Ellis, theorbo; and Andrus Madsen, harpsichord. Listen to this delightful performance now here. More about Newton Baroque at newtonbaroque.org.
Enjoy Cappella Clausura's beautiful performances of Fanny Mendelssohn Hensel’s cantatas. Fanny wrote her extraordinary and timely “Cholera” cantata in 1831 to commemorate that year's epidemic in Berlin, so Cappella Clausura is particularly pleased to be able to share it with you now. More info about Cappella Clausura at clausura.org. View this performance here.
Cappella Clausura is pleased to share virtually its special performance of Hildegard von Bingen’s Ordo Virtutum from 2/15/20. Immerse yourself in chanted opera: what Director LeClair calls the very first opera, written around 1150 by Abbess and now St. Hildegard von Bingen, fully staged for modern audiences with 18 women and men lending gender fluidity…
Newton Baroque presents its January 12, 2019, performance of Johann Jakob Walther 'Hortulus Chelicus' Sonata 24, Prelude via Facebook. This program features Susanna Ogata, violin; Sarah Freiberg Ellison, cello; Simon Martyn-Ellis, theorbo; and Andrus Madsen, harpsichord. Listen to this delightful performance now here. More about Newton Baroque at newtonbaroque.org.
Enjoy Cappella Clausura's beautiful performances of Fanny Mendelssohn Hensel’s cantatas. Fanny wrote her extraordinary and timely “Cholera” cantata in 1831 to commemorate that year's epidemic in Berlin, so Cappella Clausura is particularly pleased to be able to share it with you now. More info about Cappella Clausura at clausura.org. View this performance here.
Cappella Clausura is pleased to share virtually its special performance of Hildegard von Bingen’s Ordo Virtutum from 2/15/20. Immerse yourself in chanted opera: what Director LeClair calls the very first opera, written around 1150 by Abbess and now St. Hildegard von Bingen, fully staged for modern audiences with 18 women and men lending gender fluidity…
Newton Baroque presents its January 12, 2019, performance of Johann Jakob Walther 'Hortulus Chelicus' Sonata 24, Prelude via Facebook. This program features Susanna Ogata, violin; Sarah Freiberg Ellison, cello; Simon Martyn-Ellis, theorbo; and Andrus Madsen, harpsichord. Listen to this delightful performance now here. More about Newton Baroque at newtonbaroque.org.
Enjoy Cappella Clausura's beautiful performances of Fanny Mendelssohn Hensel’s cantatas. Fanny wrote her extraordinary and timely “Cholera” cantata in 1831 to commemorate that year's epidemic in Berlin, so Cappella Clausura is particularly pleased to be able to share it with you now. More info about Cappella Clausura at clausura.org. View this performance here.
Cappella Clausura is pleased to share virtually its special performance of Hildegard von Bingen’s Ordo Virtutum from 2/15/20. Immerse yourself in chanted opera: what Director LeClair calls the very first opera, written around 1150 by Abbess and now St. Hildegard von Bingen, fully staged for modern audiences with 18 women and men lending gender fluidity…
Newton Baroque presents its January 12, 2019, performance of Johann Jakob Walther 'Hortulus Chelicus' Sonata 24, Prelude via Facebook. This program features Susanna Ogata, violin; Sarah Freiberg Ellison, cello; Simon Martyn-Ellis, theorbo; and Andrus Madsen, harpsichord. Listen to this delightful performance now here. More about Newton Baroque at newtonbaroque.org.
Enjoy Cappella Clausura's beautiful performances of Fanny Mendelssohn Hensel’s cantatas. Fanny wrote her extraordinary and timely “Cholera” cantata in 1831 to commemorate that year's epidemic in Berlin, so Cappella Clausura is particularly pleased to be able to share it with you now. More info about Cappella Clausura at clausura.org. View this performance here.
Enjoy Cappella Clausura's beautiful performances of Fanny Mendelssohn Hensel’s cantatas. Fanny wrote her extraordinary and timely “Cholera” cantata in 1831 to commemorate that year's epidemic in Berlin, so Cappella Clausura is particularly pleased to be able to share it with you now. More info about Cappella Clausura at clausura.org. View this performance here.
Cappella Clausura is pleased to share virtually its special performance of Hildegard von Bingen’s Ordo Virtutum from 2/15/20. Immerse yourself in chanted opera: what Director LeClair calls the very first opera, written around 1150 by Abbess and now St. Hildegard von Bingen, fully staged for modern audiences with 18 women and men lending gender fluidity…
Newton Baroque presents its January 12, 2019, performance of Johann Jakob Walther 'Hortulus Chelicus' Sonata 24, Prelude via Facebook. This program features Susanna Ogata, violin; Sarah Freiberg Ellison, cello; Simon Martyn-Ellis, theorbo; and Andrus Madsen, harpsichord. Listen to this delightful performance now here. More about Newton Baroque at newtonbaroque.org.
Cappella Clausura is pleased to share virtually its special performance of Hildegard von Bingen’s Ordo Virtutum from 2/15/20. Immerse yourself in chanted opera: what Director LeClair calls the very first opera, written around 1150 by Abbess and now St. Hildegard von Bingen, fully staged for modern audiences with 18 women and men lending gender fluidity…
Newton Baroque presents its January 12, 2019, performance of Johann Jakob Walther 'Hortulus Chelicus' Sonata 24, Prelude via Facebook. This program features Susanna Ogata, violin; Sarah Freiberg Ellison, cello; Simon Martyn-Ellis, theorbo; and Andrus Madsen, harpsichord. Listen to this delightful performance now here. More about Newton Baroque at newtonbaroque.org.
Enjoy Cappella Clausura's beautiful performances of Fanny Mendelssohn Hensel’s cantatas. Fanny wrote her extraordinary and timely “Cholera” cantata in 1831 to commemorate that year's epidemic in Berlin, so Cappella Clausura is particularly pleased to be able to share it with you now. More info about Cappella Clausura at clausura.org. View this performance here.
Cappella Clausura is pleased to share virtually its special performance of Hildegard von Bingen’s Ordo Virtutum from 2/15/20. Immerse yourself in chanted opera: what Director LeClair calls the very first opera, written around 1150 by Abbess and now St. Hildegard von Bingen, fully staged for modern audiences with 18 women and men lending gender fluidity…
Newton Baroque presents its January 12, 2019, performance of Johann Jakob Walther 'Hortulus Chelicus' Sonata 24, Prelude via Facebook. This program features Susanna Ogata, violin; Sarah Freiberg Ellison, cello; Simon Martyn-Ellis, theorbo; and Andrus Madsen, harpsichord. Listen to this delightful performance now here. More about Newton Baroque at newtonbaroque.org.
Enjoy Cappella Clausura's beautiful performances of Fanny Mendelssohn Hensel’s cantatas. Fanny wrote her extraordinary and timely “Cholera” cantata in 1831 to commemorate that year's epidemic in Berlin, so Cappella Clausura is particularly pleased to be able to share it with you now. More info about Cappella Clausura at clausura.org. View this performance here.