Music
Cappella Clausura ONLINE: Ordo Virtutum from 2/15/20
ONLINE United KingdomCappella Clausura is pleased to share virtually its special performance of Hildegard von Bingen’s Ordo Virtutum from 2/15/20. Immerse yourself in chanted opera: what Director LeClair calls the very first opera, written around 1150 by Abbess and now St. Hildegard von Bingen, fully staged for modern audiences with 18 women and men lending gender fluidity…
Newton Baroque: Encore Performance on Facebook
ONLINE United KingdomNewton Baroque presents its January 12, 2019, performance of Johann Jakob Walther 'Hortulus Chelicus' Sonata 24, Prelude via Facebook. This program features Susanna Ogata, violin; Sarah Freiberg Ellison, cello; Simon Martyn-Ellis, theorbo; and Andrus Madsen, harpsichord. Listen to this delightful performance now here. More about Newton Baroque at newtonbaroque.org.
Cappella Clausura: Encore Performance of Fanny Mendelssohn Hensel’s Cantatas
ONLINE United KingdomEnjoy Cappella Clausura's beautiful performances of Fanny Mendelssohn Hensel’s cantatas. Fanny wrote her extraordinary and timely “Cholera” cantata in 1831 to commemorate that year's epidemic in Berlin, so Cappella Clausura is particularly pleased to be able to share it with you now. More info about Cappella Clausura at clausura.org. View this performance here.
First Church Chestnut Hill: Organ Music Online
First Church in Chestnut Hill is pleased to share this soothing organ music – 'Meditation #3 Twilight' by Pamela Marshall. Go here to listen right now. Scroll down the page, push the blue button, and enjoy! More info about First Church Chestnut Hill at firstchurchchestnuthill.org.
Cappella Clausura ONLINE: Ordo Virtutum from 2/15/20
ONLINE United KingdomCappella Clausura is pleased to share virtually its special performance of Hildegard von Bingen’s Ordo Virtutum from 2/15/20. Immerse yourself in chanted opera: what Director LeClair calls the very first opera, written around 1150 by Abbess and now St. Hildegard von Bingen, fully staged for modern audiences with 18 women and men lending gender fluidity…
Newton Baroque: Encore Performance on Facebook
ONLINE United KingdomNewton Baroque presents its January 12, 2019, performance of Johann Jakob Walther 'Hortulus Chelicus' Sonata 24, Prelude via Facebook. This program features Susanna Ogata, violin; Sarah Freiberg Ellison, cello; Simon Martyn-Ellis, theorbo; and Andrus Madsen, harpsichord. Listen to this delightful performance now here. More about Newton Baroque at newtonbaroque.org.
Cappella Clausura: Encore Performance of Fanny Mendelssohn Hensel’s Cantatas
ONLINE United KingdomEnjoy Cappella Clausura's beautiful performances of Fanny Mendelssohn Hensel’s cantatas. Fanny wrote her extraordinary and timely “Cholera” cantata in 1831 to commemorate that year's epidemic in Berlin, so Cappella Clausura is particularly pleased to be able to share it with you now. More info about Cappella Clausura at clausura.org. View this performance here.
First Church Chestnut Hill: Organ Music Online
First Church in Chestnut Hill is pleased to share this soothing organ music – 'Meditation #3 Twilight' by Pamela Marshall. Go here to listen right now. Scroll down the page, push the blue button, and enjoy! More info about First Church Chestnut Hill at firstchurchchestnuthill.org.
Highland Glee Club Spring Concert POSTPONED
Newton City Hall Auditorium 1000 Commonwealth Ave, Newton, MA, United StatesDate: Sunday, April 19, 2020 Venue: War Memorial Auditorium, Address: Newton City Hall, 1000 Commonwealth Ave., Newton, MA Time: 3:00 p.m. Cost: $20 for adults, kids 18 and under free. $15 for active military and veterans. 50% off with student ID or Greater Boston Choral Consortium membership. Group rate of $15 per ticket for 10 or more tickets. Purchase…
Cappella Clausura ONLINE: Ordo Virtutum from 2/15/20
ONLINE United KingdomCappella Clausura is pleased to share virtually its special performance of Hildegard von Bingen’s Ordo Virtutum from 2/15/20. Immerse yourself in chanted opera: what Director LeClair calls the very first opera, written around 1150 by Abbess and now St. Hildegard von Bingen, fully staged for modern audiences with 18 women and men lending gender fluidity…